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American actress and singer (1926–2000)

Julie London

Julie London 1948 portrait (crop).jpg

London in 1948

Built-in

Julie Peck


(1926-09-26)September 26, 1926

Santa Rosa, California, U.S.

Died October 18, 2000(2000-10-18) (aged 74)

Los Angeles, California, U.S.

Resting identify Forest Backyard Memorial Park
Occupations
  • Singer
  • actress
  • pin-up model
Years active 1944–1981
Spouse(south)

Jack Webb

(one thousand. 1947; div. 1954)


Bobby Troup

(m. 1959; died 1999)

Children five
Musical career
Genres
  • Jazz
  • pop
Labels
  • Bethlehem
  • Liberty
  • London
  • RCA

Musical artist

Julie London (née Peck; September 26, 1926 – October 18, 2000) was an American vocalist and actress whose career spanned more than twoscore years. A torch vocalist noted for her sultry, languid contralto vocals, London recorded over thirty albums of popular and jazz standards between 1955 and 1969. Her recording of "Cry Me a River", a rail she introduced on her debut anthology, was inducted into the Grammy Hall of Fame in 2001. In improver to her musical observe, London was nominated for a Golden Globe Award in 1974 for her portrayal of nurse Dixie McCall in the television series Emergency!.

Born in Santa Rosa, California, to vaudevillian parents, London was discovered while working every bit an elevator operator in downtown Los Angeles, and she began her career as an actress. London'southward 35-year acting career began in motion picture in 1944, and included roles as the female pb in numerous westerns, co-starring with Rock Hudson in The Fat Man (1951), with Robert Taylor and John Cassavetes in Saddle the Air current (1958), with Gary Cooper in Man of the W (1958) and with Robert Mitchum in The Wonderful Country (1959).

In the mid-1950s, she signed a recording contract with Liberty Records, marker the beginning of her professional musical career. She released her concluding studio anthology in 1969, only achieved continuing success playing the female starring part of nurse Dixie McCall in the television series Emergency! (1972–1979), in which she acted with her married man Bobby Troup. The evidence was produced by her ex-husband Jack Webb.

Early on life [edit]

London was born Julie Peck[a] on September 26, 1926, in Santa Rosa, California, the only kid of Josephine Rosalie Peck (née Taylor; 1905 – 1976) and Jack Peck (1901–1977), who were a vaudeville song-and-dance team.[6] In 1929, when she was three years old, the family moved to San Bernardino, California, where she made her professional singing debut on her parents' radio program.[seven]

Throughout her early life, both London and her mother were admirers of Billie Vacation.[8] London was described past friends and family every bit a shy child "without much self-conviction".[nine] In 1941, when she was 14, her family moved to Hollywood, California. In her teen-aged years, she began to sing in local nightclubs in Los Angeles.[viii] She graduated from the Hollywood Professional person School in 1945 and worked every bit an lift operator in downtown Los Angeles throughout loftier school.[ten]

Career [edit]

Discovery and early on moving-picture show roles [edit]

In 1943, London met Sue Carol, a talent agent and then-wife of actor Alan Ladd, while operating the elevator at Roos Bros., (Roos/Atkins), an upscale habiliment store on Hollywood Boulevard.[eleven] Struck by London's concrete features, Carol facilitated a screen exam for the inexperienced actress, and London signed a contract with her. London met Esquire lensman Henry Waxman while working her second chore equally a clerk at a menswear shop, and he shot photographs of her that appeared in the magazine'due south November 1943 upshot.[12] These photos helped constitute her as a pin-up daughter during Earth War Ii.[thirteen]

She made her film debut while still in loftier school, appearing nether the name Julie London in Nabonga in 1944. She later on starred in the 1947 film The Red House with Edward G. Robinson.[13] After a serial of uncredited roles, she signed a contract with Warner Bros. Pictures, actualization in the war motion-picture show Job Force (1949)[14] and the Western Render of the Frontiersman (1950).[15] She was cast in the atomic number 82 role of Pat Boyd in the William Castle-directed The Fatty Man (1951).[16] London completed shooting the pic in Baronial 1950.[17] After Warner Bros. dropped her contract,[15] London was offered a contract with Universal Pictures based on the function, but turned information technology downward, opting instead to focus on her marriage to role player Jack Webb.[17]

Mainstream films and music [edit]

After divorcing Webb in 1954, London resumed her career, appearing in The Fighting Chance, filmed in May 1955 and released by 20th Century Fob.[18] Earlier in 1955, London was spotted singing at a jazz club in Los Angeles by record producer Simon Waronker, who was recommended to her past her friend (and future husband) Bobby Troup.[19] Despite her notable phase fright, Waronker was impressed by London'due south vocals and delivery, and later recalled that "The lyrics poured out of her like a hurt bird."[19] Waronker convinced London to pursue a recording career, and signed her with Liberty Records.[20] London recorded 32 albums[21] in a career that began in 1955 with a live performance at the 881 Club in Los Angeles.[22] Her debut anthology Julie Is Her Proper name was released in December of that year, and Billboard named her the most popular female vocalist for 1955, 1956, and 1957. She was the subject of a 1957 Life cover article in which she was quoted every bit saying "It'south but a thimbleful of a voice, and I take to use it close to the microphone. Just it is a kind of oversmoked phonation, and it automatically sounds intimate."[23]

London'southward debut recordings (which appeared on her self-titled extended play) were completed under the New York-based Bethlehem Records label.[24] Iv additional tracks recorded during these sessions were subsequently included on the album Bethlehem's Girlfriends, a compilation anthology released in 1957.[25] Bobby Troup was 1 of the session musicians on the album. London recorded the standards "Don't Worry Nearly Me", "Motherless Child", "A Foggy Day", and "Y'all're Blasé". "Cry Me a River", London's most famous unmarried, was written by her loftier-school classmate Arthur Hamilton and produced by Troup.[26] The recording became a million-seller after its release on her debut album in 1955.[27]

While her music career earned her public notice, London also continued to appear in films, with pb roles in Crime Confronting Joe (1956), as well equally appeared equally herself in The Girl Tin can't Help It (1956), in which London performs three songs, including "Cry Me a River".[28] The film was a box-office success, and became 1 of the top-30 highest-grossing films of 1956.[29] London subsequently appeared in a television advertising for Marlboro cigarettes, singing the "Marlboro Vocal".[thirty] She appeared in several Westerns: In 1957, she appeared in Drango playing a Southern belle harboring fugitives,[31] followed past a starring office contrary Gary Cooper in Human of the West, in which her graphic symbol, the film's just woman, is driveling and humiliated past an outlaw gang.[32] The same year, she appeared equally a awaiting bride in the Western Saddle the Wind;[33] London's operation received critical acclaim in The New York Times.[34] She appeared in The Wonderful Country in 1959, in which she plays a downtrodden wife of an regular army major.[35]

In 1960, London released the anthology Julie...At Dwelling, which was recorded at her residence in Los Angeles.[8] The aforementioned year, she released Around Midnight, which incorporated a larger backing ring in comparing to her previous releases.[36] She released numerous albums on Freedom Records throughout the 1960s, including Whatever Julie Wants (1961), Love Letters (1962), The Stop of the World (1963), and All Through the Night (1965), the latter a collection of songs by Cole Porter.[37]

Idiot box work and final recordings [edit]

London appeared on numerous tv set series in the 1960s, including invitee appearances on Rawhide (1960),[38] Laramie (1960),[38] I Spy (1965),[39] Alfred Hitchcock Presents (1965) and The Big Valley (1968).[40] She and 2d married man Bobby Troup frequently appeared as panelists on the game shows Tattletales, Hollywood Squares, and Masquerade Political party in the 1970s.[41] On May 28, 1964, Troup and she recorded a one-hour program for Japanese tv in Japan.[42] London sang 13 of her classic songs, including "Cheerio Bye Blackbird", "Lonesome Road", and "Cry Me a River".[42] She released studio albums until the end of the decade, and her final studio album was Yummy, Yummy, Yummy (1969), a collection of gimmicky songs.[43] Afterwards this, London stopped singing professionally, equally she had lost significant song control due to years of smoking and drinking.[44]

Emergency! [edit]

London remained shut with ex-husband Jack Webb, and in 1972, he bandage her and Troup in his idiot box series Emergency!, of which he was executive producer. London played Dixie McCall, and Troup was cast as emergency-room physician Dr. Joe Early. They appeared in the same roles in an episode of the Webb-produced series Adam-12.[45]

In 1977, later on a half dozen-year run of 128 episodes, Emergency! was cancelled despite practiced ratings. London, the only actress to announced in every episode of the series, was invited back for two of the four Television receiver movie specials, and the testify ended in 1979. During this time, London appeared in goggle box advertisements for Rose Milk Skin Care Cream.[46] Afterwards, Webb offered London a position as executive producer of future tv projects, but she chose to retire from the television industry to spend more than time with her family. She completed "My Funny Valentine", her final musical recording, for the soundtrack of the Burt Reynolds motion-picture show Sharky's Machine in 1981.[47]

Artistry [edit]

Predominantly a torch singer,[8] London was described by critics equally both "sultry"[23] and "low-keyed".[48] Her recordings were often noted past critics for being "intimate",[8] [49] typically featuring sparse guitar and bass arrangements.[50] A BBC Legends episode noted: "Some singers sing every bit though they are addressing a oversupply; some sing as though they are in a bar with a lot of people—[London] sings as though she's in ane room, with you lot—and that'due south the divergence."[8]

Music journalist Lucy O'Brien stated: "[In] the mid-'50s...pop [was] in a catamenia of transition from big band swing to small jazz combos; you've got stone'n'roll, you've got R&B—and she managed to incorporate all those influences and feed that into her music. She was very much of her time."[eight] Equally her career progressed into the 1960s, London's recordings incorporated more than elaborate instrumentation, with her vocals backed by larger ensembles.[21]

Personal life [edit]

Julie and Jack Webb with Stacey and Lisa, 1953

In 1947, London married player/producer Jack Webb.[51] Their relationship was based partly on their common beloved of jazz.[52] They had two daughters, Stacy and Lisa. London and Webb divorced in 1954. Webb died December 23, 1982. Stacy Webb died in a traffic accident in 1996, 1 24-hour interval afterward her mother'southward 70th altogether.[53]

In 1959, London married jazz composer and musician Bobby Troup, and they remained married until his death in 1999. They had one daughter, Kelly Troup (died 2002), and twin sons, Jody (died 2010) and Reese Troup. London was the stepmother of Cynthia and Ronne Troup, Troup'due south daughters past his starting time marriage to Cynthia Hare.[ citation needed ]

Withdrawn and introverted despite her public persona,[54] [55] London rarely granted media interviews and never discussed the breakup of her union to Webb.[8]

Death [edit]

London was a chain smoker from the age of sixteen and at times smoked in backlog of three packs of cigarettes per twenty-four hours.[56] She suffered a stroke in 1995 and remained in poor health for the following five years. In belatedly 1999, she was diagnosed with lung cancer but forewent handling due to her weakened concrete state.[57] On October 17, 2000, London was rushed from her home to the Encino-Tarzana Regional Medical Center after choking and struggling to breathe.[57] She died in the hospital in the early morning hours of Oct 18 of what was later determined to be cardiac arrest; she was 74.[58] [59] [60] [61]

London was cremated and buried next to Troup in the Courts of Remembrance Columbarium of Providence at Forest Lawn-Hollywood Hills Cemetery in Los Angeles.[62] Her star on the Hollywood Walk of Fame (for recording) is at 7000 Hollywood Boulevard in Los Angeles.

Legacy [edit]

London performed "Cry Me a River" in the picture show The Girl Tin't Help It (1956), and her recording gained later attending for its use in the films Passion of Mind (2000) and V for Vendetta (2006).[viii] The track was ranked number 48 in NPR'southward list of the 50 Greatest Jazz Vocals,[63] and was inducted into the Grammy Hall of Fame in 2001.[64]

Her albums Julie...At Home and Around Midnight (both released in 1960) were both included in the book 1,000 Recordings to Hear Before You Die.[21] She has been named equally an influence by several gimmicky artists, including Lana Del Rey and Billie Eilish.[65] Music announcer Will Friedwald referred to London every bit "one of the most influential stylists of the early 20th century."[66] London too inspired a tribute from Jools Holland and Jamiroquai as role of their music video version of "I'one thousand in the Mood for Love" shortly later her passing.

Her cover of the Ohio Limited song "Yummy Yummy Yummy" was featured on the boob tube series 6 Feet Under and appears on its soundtrack album. London'southward "Must Exist Catchin' " was featured in the 2011 premiere episode of the series Pan Am.

Discography [edit]

Filmography [edit]

See also [edit]

Notes [edit]

  1. ^ Though some sources list her birth name as Nancy Peck or Nancy Gayle,[1] [two] the California Birth Index corroborates her birth name equally beingness Julie, listing the birth of Julie Peck on September 26, 1926 in Sonoma County, California, to a Mrs. Taylor.[3] Searches with the California Birth Alphabetize for a "Nancy Peck" or "Nancy Gayle" do not render whatever results for her birth year of 1926. A Fourth dimension magazine profile[4] likewise equally her obituaries in both The Guardian and The New York Times confirm this.[5]

References [edit]

  1. ^ Hal Leonard Corporation 2007, p. 20.
  2. ^ Owen 2017, p. 1.
  3. ^ "The Nativity of Julie Peck". California Nascence Index . Retrieved Jan 22, 2018.
  4. ^ "Julie London". LIFE. February 24, 1947. pp. 87–. ISSN 0024-3019.
  5. ^ Bergan, Ronald (October 20, 2000). "Obituary: Julie London". The Guardian . Retrieved December 30, 2017.
  6. ^ Summerfield 2008, p. 43.
  7. ^ "Julie London Profile". Metacritic . Retrieved December xv, 2012.
  8. ^ a b c d e f g h i Heaton, Lewis (dir.) (2009). "Julie London: The Lady's Not a Vamp". Legends. BBC4.
  9. ^ Owen 2017, p. half-dozen.
  10. ^ Owen 2017, p. eight.
  11. ^ Owen 2017, pp. vii–8.
  12. ^ Owen 2017, p. 10.
  13. ^ a b Owen 2017, p. 11.
  14. ^ Owen 2017, p. 22.
  15. ^ a b Owen 2017, p. 23.
  16. ^ Owen 2017, p. 26.
  17. ^ a b Owen 2017, p. 27.
  18. ^ Owen 2017, p. 49.
  19. ^ a b Owen 2017, p. 42.
  20. ^ Owen 2017, pp. 42–7.
  21. ^ a b c Moon 2008, p. 454.
  22. ^ McKnight-Trontz 1999, p. 77.
  23. ^ a b Life. February 18, 1957. p. 74. ISSN 0024-3019.
  24. ^ Owen 2017, pp. 36, 42–50.
  25. ^ "Bethlehem Records – Just Out". Billboard. Apr 13, 1957. p. 56.
  26. ^ Cason 2004, p. 102.
  27. ^ Murrells 1978, p. 75.
  28. ^ Owen 2017, pp. 56–58.
  29. ^ Owen 2017, p. 58.
  30. ^ Owen 2017, p. 119, 142.
  31. ^ Owen 2017, p. 123.
  32. ^ Loy 2004, p. 63.
  33. ^ Owen 2017, pp. 76–7.
  34. ^ H.H.T. (March 21, 1958). "'Saddle the Wind' Opens at Loew's Country". The New York Times. Archived from the original on Nov 23, 2015.
  35. ^ Owen 2017, p. 98.
  36. ^ Johnson, Zac. "Effectually Midnight – Julie London". AllMusic . Retrieved December 23, 2017.
  37. ^ Owen 2017, pp. 241–44.
  38. ^ a b Owen 2017, p. 109.
  39. ^ Owen 2017, p. 295.
  40. ^ Owen 2017, p. 252.
  41. ^ Owen 2017, p. 211.
  42. ^ a b "The Julie Jones Television Show Videos". JulieLondon.org. Retrieved May five, 2013.
  43. ^ Owen 2017, p. 243.
  44. ^ Owen 2017, p. 200.
  45. ^ Owen 2017, p. 204.
  46. ^ Jain, Subhash J. (1985). Marketing Planning and Strategy. South-Western Publishing Company. p. 517.
  47. ^ Owen 2017, p. 248.
  48. ^ Scott, John L. (February 16, 1967). "Julie Gives Her Fans an Earful". Los Angeles Times.
  49. ^ Owen 2017, p. 168.
  50. ^ Owen 2017, p. 173.
  51. ^ Owen 2017, p. xviii.
  52. ^ Staggs 2003, p. 289.
  53. ^ Owen 2017, pp. 224–25.
  54. ^ "Actress-Singer Julie London Dies". ABC News.
  55. ^ Bergan, Ronald (October 20, 2000). "Obituary: Julie London". The Guardian . Retrieved Jan 18, 2017.
  56. ^ Owen 2017, p. 223.
  57. ^ a b Owen 2017, p. 227.
  58. ^ Errico, Marcus (October 18, 2000). "Emergency! Star Julie London Dies". E! News . Retrieved January 22, 2018.
  59. ^ Martin, Douglas (October 19, 2000). "Julie London, Sultry Singer and Actress of fifty's, Dies at 74". The New York Times . Retrieved January 5, 2011.
  60. ^ "A modest vocalism to make a big stir: Julie London gets back to movies". Life. February 18, 1957. pp. 74–78.
  61. ^ "Julie London". The Times. Oct 19, 2000. Retrieved October 25, 2009.
  62. ^ Ellenberger 2001, p. 91.
  63. ^ Cohn, Joey (Feb 5, 2013). "The Mix: 50 Great Jazz Vocals". National Public Radio . Retrieved January 22, 2018.
  64. ^ "Grammy Hall of Fame". Grammy Awards. Archived from the original on August 23, 2020. Retrieved November 27, 2020.
  65. ^ Dodero, Camille (Dec 3, 2015). "Billboard Women in Music 'Trailblazer' Lana Del Rey: 'At that place'southward Not Such a Narrow Lane for 'Pop'". Billboard . Retrieved Jan 22, 2018.
  66. ^ Friedwald 2008, p. 300. sfn error: no target: CITEREFFriedwald2008 (help)

Sources [edit]

  • Cason, Fizz (2004). Living the Rock 'n Roll Dream: The Adventures of Buzz Cason . Hal Leonard Corporation. ISBN978-1-61780-116-7.
  • Ellenberger, Allan R. (2001). Celebrities in Los Angeles Cemeteries: A Directory. McFarland. ISBN978-0-786-40983-9.
  • Friedwald, Will (2010). A Biographical Guide to the Neat Jazz and Popular Singers. Pantheon Books. ISBN978-0-375-42149-5.
  • Hal Leonard Corp. (2007). The Great American Songbook - The Singers: Music and Lyrics for 100 Standards from the Golden Historic period of American Vocal. Hal Leonard. ISBN978-one-4584-8195-5.
  • Loy, R. Philip (2004). Westerns in a Changing America, 1955–2000. McFarland. ISBN978-0-7864-8301-three.
  • McKnight-Trontz, Jennifer (1999). Exotiquarium: Anthology Fine art from the Space Historic period. St. Martin's Press. ISBN978-0-312-20133-3.
  • Moon, Tom (2008). 1,000 Recordings to Hear Before Yous Die: A Listener's Life Listing. Workman Publishing. ISBN978-0-761-13963-eight.
  • Murrells, Joseph (1978). The Book of Gilded Discs (2nd ed.). London: Barrie and Jenkins Ltd. ISBN0-214-20512-half-dozen.
  • Owen, Michael (2017). Go Slow: The Life of Julie London. Chicago Reviews Press. ISBN978-1-613-73859-7.
  • Staggs, Sam (2003). Close-upwardly on Sunset Boulevard: Billy Wilder, Norma Desmond, and the Dark Hollywood Dream. St. Martin's Press. ISBN978-1-4668-3046-2.
  • Summerfield, Maurice J. (2008). Barney Kessel, A Jazz Legend. Ashley Marking Publishing. ISBN978-1-872639-69-seven.

External links [edit]

  • Julie London at IMDb
  • Julie London at Find a Grave (cairn)
  • Julie London at Find a Grave (reburied with hubby Bobby Troup)
  • Julie London – The Ultimate Fan Site Archived January 26, 2021, at the Wayback Car
  • Julie London at TriviaTribute.com

Source: https://en.wikipedia.org/wiki/Julie_London

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